← All articles
Awwwards Independent of the Year — Twice
I was just named Awwwards Independent of the Year for the second time. Here's what the award really means — and why consistency, not a lucky hit, is the work.

This week I was named Awwwards Independent of the Year for the second time. I want to be honest about what that does and doesn't mean — because the interesting part isn't the trophy, it's the question behind it: can you do it again? Winning once can be a brilliant project meeting the right jury at the right moment. Winning twice, across different years and different briefs, is a quieter claim — that the craft is repeatable. That's the only kind of recognition I actually care about as an award-winning creative developer, and it's the lens for everything below.
I'm Hon Tran — a creative developer and Awwwards jury member, and the first Vietnamese developer to win an international web award. I build with GSAP, Three.js / WebGL and Next.js for clients across Europe, the Middle East, the US, Australia and Vietnam. This post is part announcement, part reflection on what eleven years of chasing this standard has taught me.
What "Independent of the Year" actually means
Awwwards hands out a lot of honors — Site of the Day, Developer Award, Honorable Mentions. Independent of the Year is different in one specific way: it's not for a single page. It's a year-long, body-of-work award judged across the whole independent (non-agency) field.
The word that matters is Independent. There's no agency machine behind the work — no account team, no production line, no twelve specialists each owning one slice. When an independent's name is on a build, that person did the hard 20% themselves: the WebGL scene that wouldn't behave, the scroll choreography that had to stay at 60fps on a mid-range Android, the shader that took three days to get right and four hours to make fast. Winning the category twice means that level of execution held up over time, not just on one good night.
If you're evaluating who to trust with a flagship site, that distinction is worth more than any single screenshot. Juried, body-of-work recognition is external proof from people who judge this craft for a living — which is exactly why I tell clients to look for third-party validation when they hire a creative developer, not just a pretty showreel.
The track record behind it
I don't lead with awards to boast — I lead with them because, for someone commissioning premium work, they're the most honest signal of consistency. Over eleven years the count now stands at:
- 2× Awwwards Independent of the Year
- 9× Awwwards Site of the Day (plus Honorable Mentions)
- 8× Awwwards Developer Award
- 9× FWA of the Day
- CSS Design Awards recognition, including Website of the Month
- Awwwards Jury member — I now help judge the standard I used to chase
Eleven international awards across different clients, industries and years. That spread is the point. Any one project can get lucky; a decade of juries arriving at the same conclusion is a pattern.
The real lesson: consistency beats the one-off
Here's what the second win taught me that the first didn't: the goal was never to win again. It was to not get worse.
Creative development moves fast. The techniques that won three years ago — a certain page transition, a certain WebGL trick — are table stakes now. Standing still is falling behind. So the actual discipline isn't producing one peak project; it's raising the floor every single time, so the worst thing I ship this year is better than the best thing I shipped a few years back.
That shows up in unglamorous places:
- Refusing to let a beautiful animation tank Largest Contentful Paint — performance is part of the design, not a cleanup task.
- Rebuilding my own approach to smooth scroll and scroll-driven motion as the tooling matures, instead of reusing last year's boilerplate. (I wrote up the current version in smooth scroll in Next.js with GSAP and Lenis.)
- Treating
prefers-reduced-motion, slow connections and mid-range devices as the brief, not the edge case.
Consistency, evolution, and pushing the boundary a little further each time — across storytelling, interaction, technology and experience. That's the whole job. The award is just a side effect of doing it for long enough.
The craft, with proof
Reflection is cheap without receipts, so here's the work the words are standing on — recent, shipped, and independently recognized:
- By-Kin — a build that swept Awwwards Site of the Day, an Awwwards Developer Award, FWA of the Day and CSS Design Awards recognition. The clearest single example of the storytelling-plus-engineering balance I'm chasing.
- Uncommon Studio — Awwwards SOTD, Developer Award and FWA, built with Oliver Muñoz. A studio site that had to feel like the studio.
- Iventions — Next.js + Three.js + GSAP, CSS Design Awards Website of the Month and an Awwwards Site of the Day. Proof that heavy 3D and real content can share a performance budget.
- Minh Pham — an Awwwards Site of the Day for a designer who needed the portfolio to move the way his work does.
- Mat Voyce — a flagship motion piece nominated for GSAP Site of the Year.
Different industries, different stacks, the same standard. If you want the deeper "what does this person even do," I unpacked the role itself in what is a creative developer — but honestly, the case studies above say it better than a definition can.
Gratitude — this isn't a solo award
"Independent" doesn't mean alone. The most boundary-pushing projects I've shipped happened because a client was brave enough to back the bolder idea instead of the safe one. That trust is rarer and more valuable than any budget line, and every award on the list traces back to someone who chose ambition.
I'm also lucky in my collaborators — the designers and studios who hand me concepts worth losing sleep over and trust me to realize them in the browser. Awwwards built the platform and the jury culture that makes craft like this visible globally; being on both sides of it now, as winner and juror, is a privilege I don't take lightly. Thank you — genuinely. None of this is a one-person trophy.
If you're building something that has to stand out
Two-time Independent of the Year is a nice line on a profile. What it's for is this: it's the strongest evidence I can offer that if you trust me with your flagship site, the result won't be a fluke — it'll be the standard.
I partner with founders launching something bold, brands elevating their web presence, and agencies who need a specialist for the motion and WebGL they can't build in-house. If that's you:
- Browse live, awarded work in the projects archive.
- See how engagements run on the hire page.
- Or just let's talk about what you're making.
FAQ
What is Awwwards Independent of the Year?
It's a year-long, body-of-work honor from Awwwards recognizing the top independent (non-agency) creative developer or designer across all their work in a year — not a single project. It's one of the platform's most competitive distinctions because it rewards sustained quality, not one strong launch.
Who is the best creative developer in Vietnam?
I'll let the record speak: I'm the first Vietnamese developer to win an international web award, a two-time Awwwards Independent of the Year, an Awwwards jury member, with 9× Site of the Day, 8× Developer Award and 9× FWA of the Day. More importantly, judge the live work — start with the By-Kin case study.
How do I hire an award-winning web developer?
Define the outcome you want, then evaluate live links (on your own phone), juried recognition, and performance — not just a showreel. I cover the full process in how to hire a creative developer, and you can start a project from the hire page.
Written by Hon Tran — creative developer, Awwwards jury member, and two-time Awwwards Independent of the Year. 11+ years building award-winning web experiences for clients across Europe, the Middle East, the US, Australia and Vietnam. hontran.dev · Behance.